http://www.xs4all.nl/~notnot/index.html
The many facetted oeuvre of Erwin Driessens (1963) en Maria Verstappen (1964) shows a strong fascination for processes of growth. Either in artificial intelligence programming or observed in nature itself. The artist’s couple studies and generates various structures in nature (Frankendael), artificial intelligence (computer programming), but also in chemistry (etching and galvanising).
tickle, 1999.
